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imperial privileges and crime of plagiarism: the Tesini Remondini of Bassano del Grappa in the dock in Augsburg in the eighteenth century

Tesino
Suggestive etching on paper producing area of \u200b\u200bGermany, eighteenth century
The caption in German , states: " Buy! Buy! .. or take away everything! "

from private collection, courtesy of the Blog

To better understand the climate of fierce competition and relentless in which they operate the "Print- Saints" in the European panorama featuring the eighteenth century, we must first well know the "status operandi" of the great dynasties of Printers Habsburgs, have long been in open warfare with our Remondini Bassano .
Their names are known and familiar to collectors of sacred images, echoed in the Augusta-old Avgvsta Vindelicorum , founded by the Romans in 15 BC in a thriving area of \u200b\u200bsouth-western Bavaria-authoritatively supported by facilities and privileges granted to them directly for their activities of producers of Santini and devotional images for the local market and Europe, directly from person of the Emperor. The letters on this beautiful devotional image of the Habsburg era come down to us " CPSCM" - standing in Latin for "Cum Privilege Sacrae Cesareae majestatis " or "With privilege (granted) by the Sacred Majesty the Emperor " , indicates unmistakably that more" protection " and the resulting associated with it privilege conferred all'Incisore in the press of its sacred images. nell'anno1753 Already, the work of Daniel Herz von Herzberg , was founded " Kayserlich Franciscische Akademie der Wissenschaften und Künste Freyen "-L 'Imperial Academy Franciscan Free of Arts and Sciences "which first received in Augusta, dated the 5 Luglio1755 , the unconditional protection of ' Emperor Leopold II of Habsburg-Lorraine for all its affiliates.
So it was creating a kind of real " Corporation" to protect its assets in common the need for major Engraving and Printing Images of German devotional period.
Among others, the first to join were the Klauber and Goz , which, likewise, were amongst the first and the most hardened to testify at the trial of our Remondini Bassano .
" Falsarij , counterfeiters, that is, so they came with acres formulas accusatory qualified Remondini the opening of the trial, which was held in the classrooms of the Court of Augsburg in the year 1766 .
Martin Engelbrecht, Johann Andreas Pfeffel were already in the early 1700s among the first to receive Engravers Habsburgs imperial privileges for the printing of the Saints of their production.
And bitter-even when conducted quietly in between authorizations penned by the hand-waving imperial almost in the shape of dangerous offensive weapons and huge quantities of various papers produced , was the struggle between the Habsburgs same printer, it seems that-at least fun to say! - were competing with mutual animosity exclusivity "to print Saints watercolor paintings and beautifully lighted by brilliant gold and silver " ... ... these characteristics, and have been highly appreciated in this beautifully devotional image of Remondini !.....
Throughout the eighteenth century, under pressure of individual printers and the same summentovata Corporation, annotations on annotations that were added by lawmakers to the Habsburgs Act which effectively regulate such activities, reaching strict prohibitions on copying from other "stakeholders Sacred et peculiarity "represented in devotional images, revealing, in the event of apparent violations that the Act (governing since the previous century this controversial matter), the possibility to get to impose the "forgers" proven guilty of this crime, high volumes of fines, confiscation and, in severe cases, even imprisonment .
The first signs of poisonous conflict between Habsburgs and Printers Remondini Giuseppe di Bassano del Grappa already started since the first half of the eighteenth century, the pulse and enthusiastic about " Kolporteur " or " Tesinern " , (definition by which were known at the time the German area)-the famous and beloved by me Tesini - the pay of the famous Bassano, who with constancy, tenacity and hard work of sacrifice and deprivation, since the second half of the seventeenth century is was well earned the largest portion at European and extra-territorial in the dissemination and sale of its Santini, competition was not only frowned upon and disliked the Bavarian Engravers, but they began to be implemented as a real, dangerous threat to their business , however, traditionally jealously exercised in its home territory for generations.
The years from 1750 to 1790 actually represented the golden age for the activity of Tesini , from ancient Valley Pieve, Belts and Castle in Trentino, laboriously from the original places of origin, passing through South Tyrol, Bavaria and extended to all regions of Germany, and from there, as already mentioned, around the whole of Europe and beyond.
initially present, usually, as a salesman all annual fairs and markets of Germany's most important, they saw, after the prohibition offices in the region, forced to participate in quality that no longer, but as a simple walking and perform strenuous sales door to door, or stationed painfully until the early hours of morning at churches and shrines pilgrimage destinations, always with a heavy shoulder bag, ready to flee at any moment. ... just like the modern " cumprà vu" .... Tesini poor!
unbiased and " Skrupelfrei "-ie, without the slightest scruple reprehensible-like down the Spamer - " disrespectful of regional laws and local policies, unfair competition, brash and confident, with the Habsburgs Engravers -" and again, adds: "... not only accontendandosi to tarnish the reputation of the most famous Designers and Engravers of devotional images of Augusta Vindelicorum, but even getting a copy shamelessly, without any regard and as a whole, all the features, cleverly erasing the name from the bottom and legitimate but leaving unchanged the wording of the imperial privilege granted, and illegally usurping no right "was so famous at the time branded Printer Remondini Joseph Bassano del Grappa . On January 3
dell'anno1741 the Artist-Engraver Joseph Habsburg Sieci , trained at the famous Bottega Philipp Jacob Rieg, who, because of serious economic difficulties signed an agreement with the Remondini getting a loan from them to put up a small printing shop in Augusta as a sign of solidarity with the insurgents Engravers, his illustrious countrymen, ipso facto rescinded the contract just signed.
Pursued through the streets of Augsburg by a handful of people, deliberately flushed out and hired between the fringes of the lowly populace , aizzatagli against the great voices of Engraving and caught by these angry with anything but for ways, ended up in court with their portfolios filled with Santini in the dock, facing severe and impassive Judges, the Tesini : Antonio Fabro, Charles Fang, the three brothers Joseph, and John the Baptist Fietta Melchiorre, Antonio, and Sebastian Buffa Zuanne .
The August 27 the year 1766, a process begun Tesino Joseph Fietta , faithful worker for years in the service of great Bassanesi, contained between the hilarity of the Judges and the explosion of violent rage Engravers-accusers present at the hearing, stated that: "The Remondiniani Santini had aroused the hatred of irreducible Engravers Habsburgs only for the great success which he received anywhere near the people, both for very low cost and beautiful bright colors used as well for highlighting details in the precious gold and silver .
Documentatamente, served by little, however, this heartfelt testimony of Joseph Fietta; judges solemnly Habsburgs and heavily labeling them as "counterfeiters " " copiers infamous" and " vile usurpers of the rights of others " Remondini condemned the confiscation of all sacred images resulting from various copy Busch, Engelbrecht, Grueber, Klauber , Frehling , Will , etc. imposing on them an exemplary, very heavy fine and ban from that moment to commit any of their sales activities in the city to extend that ban rigid Financo entire region of Bavaria.
In addition to the existing law was strictly imposed by that date the obligation to always indicate the Santino-print clearly the city-production: Avgvsta Vindelicorum, Warsaw, etc..
I Remondini -informs us always Spamer - did not seem to acknowledge the blow suffered too much, a little later, in fact, moved the faithful to their team Tesini, even more beautiful Santini loads of their production in thriving city of Oberhausen in Westphalia, where they now met the favor of people having a great dramatic and consensus-which, however, had already used all over Europe, mainly due to their make witty and roguish , who in every place that well-trod them knew how to attract the sympathy of the people all with sincere goodwill.

Paola Galanz

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of Santini in Italy Collectibles: Gregory Giarrusso, Collector and passionate student of ancient religious tradition-popular Sicilian

Collectibles devout worship of the very important and commendable, old family traditions This is the combination that makes it unique and invaluable collection of the beautiful Santini dell'Amico Gregory Giarrusso of Evia Licodia , Licuddìa - name of remote and fascinating Saracen-like roots with pride call its inhabitants. We
enchanting and beloved by me Earth of Sicily, about 68 km. from Catania, is where Gregory, devoted friends and collectors of pictures and Adjunct fan of beautiful memories of popular religion-the authentic and genuine, who tell two centuries and passed down the fervent Christian faith of his family, gives us his most heartfelt Welcome, with the generous and sincere friendliness typical of the beautiful people of Sicily.
Euboia , Calcidese old colony, whose foundation dates back probably a year 650 BC, it passed over the centuries under the domination Saracens, Normans, Aragonese , consistently representing a site of particular strategic importance because of its location at 688 mt far. sea \u200b\u200blevel, nestled between the hill of Calvary and that of the Medieval Castle superbly crossed the river Dirillo forming the territory's picturesque lake, giving the impression precious landscape of enchantment, the scent of old.
Palermu u piccilu or "Little Palermo" Such was the affectionate name by which in medieval times was known in Sicily Licodia Euboea; stronghold of noble families with no minor role in the city of vigilant guardians and defenders of the oldest local religious traditions.
special beauty and distinct from the many churches and elegant palaces they saw during the time the succession of noble families who ruled Licodia: cite, among others, the splendid Basilica of Santa Margherita VM - Patron Saint the city and the beautiful Castle Santapau and Palace Mugnos Vassallo-baroque, residence, the first of the Angevin noble family which takes its name and then the Princes Ruffo di Calabria. The same Giovanni Verga
(Catania, 1840-Catania, 1922), writer and father of the literary movement known as realism, enchanted by the beauty of the territory of Licodia, chose it based the protagonist of many of his beautiful novels, authoritative Masterpieces of Italian Literature.
Gregory Giarrusso, a native of Vizzini - his great-grandfather, back in 1909 by marrying a woman of Licodia, down there by then his house and his family, and descended from traditionally strong Catholic and Christian roots that over time have lovingly preserved the traditions of the oldest and most important city of Licodia Evia, is a noble person from the delicious, generous Sicilian hospitality combined with love and worship traditions religious and family, his beautiful Collection, which currently has over 1700 Santini, is the result of a deep Christian devotion, inherited from his ancestors two centuries.
particularly precious and moving toward the Santino leading to the signature of Gregory's great-grandfather: Joseph-Goofy, as it was affectionately called by her family-Giarrusso: Santino is a beautiful St. Joseph, its patron saint, which he was particularly devoted and bound by deep and sincere affection.
Licodia Evia has a rather old copy Christian tradition of fervent devotion and there are many famous people, such as generous benefactors of personality Clergy and laity that the City History tells us with honest sense of pride. Visit
Licodia Evia is a healthy, refreshing dip in a past rich in history and ancient folklore licodiese kitchen, full of delicious dishes of traditional rural and farming of past centuries, welcomes its guests with hearty and delicious menu, such as the pataca , typically a local species of polenta, made a very tasty with the addition of sausage and broccoli and a rich sauce, absolutely must be eaten with a good glass of fine wine and local levels.
L 'Amico and Collector Gregory, DOC Licodiese of ancient tradition, is the inventor and the webmaster of a beautiful site, recently expanded and renovated: https: / / sites.google.com / site / santinidacollezionegiarrusso / , here you can see the complete collection of his Santini.
Sit back, dear friends: I leave you now in his company, between gusts of fresh sea breeze and delightful scent of orange blossoms, to hear directly from him the beautiful story of his collection ....

Paola Galanz

The History COLLECTION OF GREGORIO SANTINI Giarrusso

The Collection of Gregory Giarrusso Santini began officially in 2000 / 2001, a period where a small number of sacred images were found in an old cupboard, where they had been stored and forgotten for years. Santini at the time I found were mostly of the time. Most are from the late 1800's and early 1900. These sacred images are in that place, had been accumulated over the years to the point of forming a real collection. Precisely for this reason, in fact, the collection of Gregory Giarrusso, or at least a small part of it, began before the year 2000, about one-ninety years ago, when the great-grandfather and then began to Gregory Giarrusso Santini keep these in one place. Of course, the collection started before it was just a way of grouping Santini without any specific project to collect. Also found that primitive group of images gave decisive launch the collection today. Most Santini found in the closet interested Licodia Evia, just because they were obviously collected during the local festivals since 1909, when the family settled permanently in Licodia Giarrusso. Another small part of Santini variety is made from old black and white printing images depicting the SS. Sacramento, Mary and other saints. There are many sacred images that depict the saints venerated in the neighboring countries to Licodia Euboea, as Grammichele, Militello VC, Mineo, Vizzini and many others. Among these stands out the home page Santini of an old Latin missal dating from 1775. The text was to talk about canonical recognition (as shown in a 'picture). This piece belonged to such a special great-grandfather of Gregory Giarrusso, Joseph, who had him as a gift by the Friars Minor Capuchin Convent Licodia Euboea. The collection during the years 2004/05, had no major expansions, in fact had almost a period of crisis or abandonment, even if the work to collect and categorize Santini went on, but minimally. Since 2007 the collection of Gregory Giarrusso start growing again. Indeed Santini from 300 in previous years, in a few months to get to 500 with reset and improving the retention of the oldest pieces. The overall improvement is real but in the years 2008 and 2009, years in which the collection not only undergoes a large increase, but also a catalog of more accurate and precise parts. In a few months of 2008, it exceeds the quota of 600, up to the 700 of 2009, and during the summer of that year, the finish of the 1000 collector's items. This large increase in the growth of the collection occurred in recent years is due to collaboration with fellow collectors from all over Italy and Sicily in particular. E 'was and is important to the help given by the parish priests of Evia Licodia Santini in providing premises and other nearby areas. It is also worth remembering a donation of about 50 icons, full period, made to the collection in November 2009. Today the collection has a total of about 15 albums and other types of containers for images. In addition, the Collection is divided in the period, in one of the serials, in that of sacred images from various sources and in that Licodia on Euboea. Surely the most important part of the collection is the vintage section, which ultimately, through the purchase of some very old pieces, has increased, even in its small, its prestige. The Collection in the last census in August 2010 reached the number of sacred images and 1753 about 400 pieces of antique value.

Gregory Giarrusso

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How to Buy safe in the collector market Santini: current listings and value of various types of Santini

Sancta Theresia et Sancta Clara

very rare and extraordinary carved Canivet " au canif " thick on parchment, with Hand Coloring and Highlight in precious gold.

Area cloistered French, early eighteenth century

Private Collection Galanz

The idea for this " Guide online - simple and ready to use-I was provided by Antonio, a first-time collector and player Santini and devotional images of the now habitual Blog; Antonio, a bit 'confused and disoriented by prices and prices going crazy on her personal web-sites with particular reference to the various on-line sales - contacted me via e-mail asking: "Help me to know the current actual value and its listing of Santini framework of the International Market on paper? "
With pleasure I will try today to give his friend Antonio - in the hope of doing something useful with all the other neo-collectors Gender - requests clarification and information.
your speeches, news and opinions in keeping the topic will be published by me, of course, going to complete that " Collector's Guide Online Santini and devotional images .
dutifully premise is that often the Collector to give the value -mind you that I wrote "value" and not the real price - the "piece" chosen one, driven by different motivations: why is "' coveted missing piece to complete the series in XY Collection, "or" for the extraordinary beauty of the building and its particular refinement, "or maybe even because, "while forming part of a specific type already present in the collection extensively, for a few details beyond the type itself, almost creating a valuable" unique "worthy of being hosted by all honors in the Collection.
But beyond the personal emotions that can Devotional an Image of particular value and beauty-these parameters, however, always individual and subjective - to excite in the sympathetic heart of the collector, causing him to personally assess beyond the estimated fair and objective " piece ", we must necessarily learn to" self-regulation "as noble enthusiasm, because of avoided on sale now over, having bitter disappointments, here is the fact that Santino purchased by paying a fortune from the seller at the market XY YZ, we find him in the SAME site ABC-maybe even in far better storage conditions - proposed less than half of the high price we paid, which of us has had at least one time in the history of his own bitter experience that collection?
will now try to identify together with order main types of sacred images and Santini , their actual and present listing, in line with the average obtained by comparing actual sales of the most famous auction houses Antiquarian International markets and various trading sites on the web.

THE CANIVET and artifacts in general

E 'there must, for its honest and transparent information to newcomers to the kind collectible, just do a clear distinction between Canivet and, in general, Santino and / or devotional image artifacts on PARCHMENT PAPER and , while in fact the first (both Canivets that Santini articles) hold and maintain stable throughout European Antique Market panorama paper, quotes ranging from a minimum of 90-100 Euro for a maximum of 150-220 Euro for the rich in carving and decoration of the miniature plant and, not least in the very important state conservation, the second, made the noble parchment, now ranges between 150-200 euros minimum prices up to Euro 2000 and beyond, this value is also dictated by the particular rarity determined by the difficulty in finding the piece around the International Market ; a good example in this regard is well represented by the rare and much sought Canivet sending cloistered fan-shaped , typically French production of the seventeenth and eighteenth centuries: a copy on parchment extraordinary of exceptional beauty and rarity, with two miniatures, a particularly fine and elaborate carving and made a Highlight in the technique known as "shell" in real powder gold, was defeated in July at an old Auction House Antiques in Switzerland for Euro 2200.

parts, as already mentioned, extremely rare that all rights may be considered UNIQUE, because of their salient feature of ARTICLES .

I sought SANTJES (or SANCTJES): masterful engraving on copper and on PAPER PARCHMENT Flanders

As already well known to collectors of long standing, dating from the seventeenth and eighteenth centuries, and much loved areas, the Flemish Saints well deserve to be put in the first place on the list of quotation , even in this case is important, however, condemn the difference between SANCTJES on PAPER and SANCTJES OP PERKAMENT , ie on PARCHMENT . While the first European state a price between a minimum and a maximum of Euro 45-50 Euro 70-90, the second, printed and colored by hand on fine parchment, similarly to the aforementioned Canivets carved on the same subject, are currently sold almost everywhere in Europe-except in the local markets of Belgium, where it is still possible to make some real deal-sometimes with prices on average, but again we can say firmly, with a minimum of up to Euro 110-130 Euro 500.

The refined

Santini "laced" or "lace" otherwise known as semi-manufactured goods in France Romantic nineteenth century, that the saints of the great printers in fierce competition with each other in strategic areas of Rue Saint Jacques Rue Saint Sulpice et at Paris: Maison Basset, Jean, Pillot, Letaille, Dopter, Felix, Villemur, Vaurs, Bouasse-Lebel, Turgis, Bertin, Bes et Dubreuil, Pannier, Blot, Boumard, Chanson etc.

particularly sought after and highly collected by collectors throughout Europe, yet firmly held the absolute primacy of the Italian collections, are the "Santini lace" aka "laced "properly semi-manufactured goods produced mechanically on paper and punch presses with beautiful hand-colored steel engraving plants.
Among these, which actually represent the great, unbeatable, massive presence on the international market paper, however, reported to be 'attention to two major collectors explanations: the nature of first- so-called "technical" - concerns the clear distinction between "Lace" Santini simple and familiar to collectors of the same family with the French name of " Images pieuses to system" - that feature a true "system "composition and structure in the sphere of innovative and original three-dimensional applied to Santino, a view, as stated above, very competitive market typically French typography of the time, act to draw the attention of the user or ultimate consignee arousing wonder and child wonder. But now we
Adentro in more detail in the type of " Santini lace" or "laced ": among them, very rare and currently very sought after by collectors French and Italians in particular, are so-called "theater Santini in" between the specimens known and currently permanent exhibition in the Halls of important museum of popular traditions of France and Belgium, to the readers here remember the famous Museum of Piconrue, in the Region of Bastogne, Belgium in , wealth and value in the Collection of Pictures devotional has allowed the creation of a major exhibition which was followed by publication of an interesting work by suggestive title " IMAGIERS DE PARADIS-Images de la compassion populaire du XVe au XXe siècle , Credit Communal, 1990
includes, among them, made copies and signed by the famous Maison Basset , Dopter , and by ' even more famous - thanks to the wonderful book-a masterpiece of his friend Flavio Aldo Cammarano and Florian " Santini and The Story of a Parisian publisher. Bouasse Maison-Lebel "-Marene (CN), 2009 - Maison Bouasse -Lebel; rare, indeed very rare , these extraordinary Santini, made to the card cleverly layered and almost connected with engineering talent among the various levels ingenious and original systems retractable flaps, watercolor by hand and made incredibly unique and amazing work from attentive collage of small decorative gold and silver, moss, rice paper and delicate perfectly pleated iridescent powder slides to give light and splendor, have a very high price , currently estimated between 150 and 200 Euro.
The more modest, although still precious and refined " laced with hand-colored steel engraving central " are currently listed by a minimum to a maximum of Euro 25-30 Euro 45-80 for more beautiful. Definitely less than the
listing of " laced with black and white steel engraving " now present in quantities of "industrial" on the French online auctions, are offered at prices "stracciatissimi" from just 1 Euro and sold at the end auction for a few Euro: Euro from 1 to 10-18 at most.
belong to this same category of the most sought after models Santini- Remembrance of First Communion in two versions, for the communicants and its like the male. The listing for these
Santini " Souvenir de Première Communion is however well below the" Santini in theater ": from 25 Euro to 120 Euro for the simple lace for a maximum of three-dimensional models of large and very elaborate.
Cito, finally, the beloved " Santini paste host" or directly "on host " simple gifts, symbolic of gratitude and appreciation to generous donors, mostly from the convent, except for specimens produced by the nineteenth century until the beginning of the next XX by Parisian publishers Aubry, M. Genoux and the same Emile Bouasse Jeune, falling into the category of SEMI-MANUFACTURED , these devout Pictures, celebrating ordinations, Prime Communions and widely, even od'amicizia amorous messages, are now traded as low as 20-25 euros for the least processed up to a maximum of 40-50 Euro for the best, often embellished with fine collages of small flakes real pearl.

Santini Prague and Bohemians Prague and of the great engravers of the first half of the nineteenth century: Sigmund Rudl, Josef Leopold and Koppe, Maulini, Morak, Noworodhasky, Pachmayer, etc Pischel.

majestic, rare and prized as the finest Boleti woodland flora, are the beautiful carvings the stroke and dot and woodcuts watercolor by hand, lighted up with fast and precise brush strokes of gold and Chinese lacquer, with the most beloved saints of Christianity that look elegant mullioned goticizzanti preciously enclosed in frames of 'Gold-pressed. They are signed
Santini Rudl, Koppe, Maulini , the first, along with Koppe made figures in gold embossed (ie, in relief, also created " to press") and the known and inevitable typical coloring by hand, are currently listed by a minimum of Euro 70 Euro up to a maximum of 150-200, for obviously more elaborate and exclusive models.

Will Martin, Joseph Busch, Josef Kempter, Gleich, Grueber, Remel, Harrer, Klauber: engravings admire the eighteenth century Habsburg

market, this is extremely variable: a ' engraving signed by Josef Busch on paper with hand coloring , is currently priced at Euro 45-50 known sites in the online buying and selling up to 250-300 euros required without flinching from private Italian and European Antiques and the "primacy" of the maximum price is still the national Antiques paper. Similar, although slightly lower, the value of "spare" signed Kempter .
much higher at the international level, with particular reference to the antique market paper German, Swiss and Austrian, the famous and sought after " SPICKEBILD " (or "layers Image"); particularly rare, highly valued are those that bear the signature of the engraver known Habsburg Harrer : Current quotations attributed to this type of original, typical and characteristic of that engraver, a value that balance is maintained between 80 Euro and Euro models 150-180 finest and most richly decorated with the famous " METALFOLIE " , thin metal sheets, the warm and characteristic colors of copper, gold and silver . Still
rarer than the earlier and now the exclusive prerogative of museum collections, remember my article on Westfriese MUSEUM ? - Images are then devoted " habillées " (meaning "dressed ") with precious scraps of brocade, of satin, velvet and silk exclusive woven with gold thread and 'silver often-for specimens come down to us uncorrupted-signed by' scoring IGGrueber : one of them, of extraordinary value and beauty was beaten at old German auction house for Euro 300 .
In sharp drop in engravings Klauberiane , with prices fluctuating at a value between MIN. and a maximum of Euro 30. Euro 50.

SANTINI and Italian devotional image of the buckets. XVII-XVIII and XIX: beautiful woodcuts and engravings on copper and steel is poorly understood and little appreciated this too: I Remondini of Bassano del Grappa, Luigi Santini Agricola and the "Print-Santi" Agapito Franzetti Torsanguigna in Rome

I mention only two of the most famous and prolific Italian printers of fine and popular prints devoted. Active the first since seventeenth century until 1860, the second from the second half of the century. XVIII to the next.
SAINTS REMONDINI of Bassano - see my two articles and videos here on the blog - are like the phoenix: everyone talks about but nobody-or almost saw them ... .- .... Except for those dear friends Collectors Lucio and Patrick who had the privilege to admire them on display at the wonderful Museum REMONDINI of Bassano del Grappa , Maybe in some other lucky collector who had the opportunity to visit the same museum.
If there are still some authentic REMONDINI around, I think - I think rightly-that the lucky owners will surely cederebbero figures "staggering", inaccessible to us mere mortals ....
Fine engravings in black and white with a burin but for the most part on steel plate to thick, nice paper wire rod, produced a sizable number of copies in the nineteenth century and bears the name of the artist-engraver Luigi Romano Agricola and the printer Agapito Franzetti - who had documentatamente among other things, often working relationship with the distinguished Bassanesi-printers are currently available on the market at a national and international paper costs fairly low: from a minimum to a maximum of 15-18 Euro 80-110 Euro.

I SANTINI-etchings of Jacques Callot

The Genius of original etchings of Lorena are - understandably! - prerogative strictly exclusive of Museums of France and America, with some notable piece kept in various museums in Florence.
present and available on the market are reprints of the eighteenth century, but especially XIX: Quoted from a minimum of 40-45 Euro to a maximum of 80-100.

Delicious Santini artifacts depicting Jesus 'CHILD in " carrycot " (Baby Jesus in swaddling clothes) and Jesus' child dressed: an original and exclusive creation proudly Italian born from a deep devotion to the Infant Jesus Convent of secc. XVIII-XIX and XX

Amati, refined and super-collected: Italian collectors participating in some online auction sites difficult to give in to "colleagues "Santino's a rare European baby Jesus in swaddling clothes or Child Jesus, with loving care and many artifacts and special techniques, applied to paper (collage , clipping, carving , pitting the Needle ), authentic creations born from Love devotion and spirituality of the simple white and Italian nun in the Convent of the SECC. XVIII-XIX and XX, Santini of the baby Jesus - and increasingly rare in the exclusive competence of the national paper antiques market - have, with respect, which is firmly a quote now from a minimum of up to Euro 120-150 maximum of 180-250 Euro for specimens most precious and refined.

The woodcuts EPINAL: beautiful Santini individuals or entire precious PLANCHES of saints and religious subjects of France in the nineteenth century

The French collection and, equally to those Italian I am literally amazed, want the beautiful engravings, want to live and particularly bright colors, so typically characterize the era and the city of production, EPINAL exactly, which gives its name to this beautiful and distinct type of devotional image.

Among the various printers, operating in this city throughout the nineteenth century, the most famous and certainly worthy of note was PELLERIN; PLANCHES famous bear his signature ("tables" of large, multi-religious subjects) printed on the card feature, which is also very thin and delicate, distinctive style that marked an era in France.

Current quotations Market-International paper also estimates a Santino-rather unstable EPINAL production by up to 18-20 Euro 40-80 Euro and more, according to the Saints or sacred subjects depicted therein, especially if a particular rarity.

thumbnails: rare and museum of sacred images from the cloister-made paper and on parchment in the European area secc. XVII and XVIII

Who among us does not dream of owning at least one Holy Miniature whose beautiful smiling portrait reassures us benevolently overlooked by the parchment paper or colored?
Somewhat rare in Italy but usually on paper antique market of Germany, Austria and Switzerland , the sacred images in Thumbnail hold prices considerably higher: a minimum of 90-160 Euro for those made of paper-based wire rod, watercolor by hand, to a maximum of 150-500 Euro for those carried out on the precious parchment and lighted up the details of fine gold .

Santini The Relic " ex-indumentis "

Many the Italian and foreign collectors who collect the Santini relic "ex- indumentis "
Rare specimens made by hand in areas convent in the buckets. XVII and XVIII, the listing of which is demonstrably the final outcome of international auctions, fixed to values \u200b\u200bfrom 80 to 100 Euro up, and definitely lower than the current estimate is that the market for the remainder of this multitude of Santini type Printed in the buckets. XIX and XX: a minimum of 6-8 Euro to a maximum of 30-40 euros.

I LUTTINI

particularly popular in Belgium and Countries Collectibles of the low LUTTINI ; visiting the pages in these two nations reserved the specific category of collecting Santini known online auction sites we are surprised at the large number of luttini, the nineteenth century to the present day, present on these pages, and even accompanied by a photograph of the deceased, personally I disagree with the blatant display of photos of a deceased .... But beyond my personal opinions and therefore questionable, going down in search of the roots of such a widespread custom particularly in these two countries in Europe, I found something very interesting: the Belgians and the Dutch collect Luttini to search for their genealogical roots : At least interesting and commendable, is not it? I therefore take
LUTTINI in the antiques market paper of these two European countries share a very significant: their quotes from a few up to € 100-150 Euro for older and far away.

The triumph of chromolithography in buckets. XIX and XX: EUCHARISTIC HOLY LEAGUE, the LITTLE JOHN of petty and the minor leagues HR, etc. Heb.

ANNOUNCEMENT: For these publishers, whilst not being personally collector, I am grateful now to a friend collector "expert" that can provide all such information, to complete this series of quotes that are sure to be a useful guidance as Friend neophytes.

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SCHEME SUMMARY OF PRICES OF MAIN AND MORE 'Collection SANTINI AND TYPES OF DEVOTIONAL IMAGES AND EFFECTIVE IN ACCORDANCE WITH THE CURRENT MARKET TRENDS ANTIQUE INTERNATIONAL PAPER

(OBSERVATIONS CONCERNING ITALY AND EUROPE)

NB ANY CHANGE IN THE LISTING WILL BE 'IN THIS SCHEDULE UPDATED OFFICIAL FROM NEW OBSERVATIONS AND TRENDS OF THE INTERNATIONAL ANTIQUE MARKET PAPER.

• CANIVET carved "au canif" and Santini and / or devotional images ARTICLES ON PAPER: MIN: € 90/100 MAX: 150/220 €
• CANIVET carved "au canif And Santini and / or devotional images ARTICLES ON PARCHMENT : MIN: MAX 150/200 € 2000 € <
• ENGRAVINGS ON PAPER FLANDERS - MIN: MAX € 45/50: 70/90
• FLEMISH ETCHINGS ON PARCHMENT - MIN: € 110/130 MAX: € 500>
• THEATRE A SANTINI SANTINI and at "A SYSTEME (see description)-MIN: € 150 MAX: 180 / € 200
• SANTINI "lace " O "LACE" also called: Hand colored steel engraving with - MIN: MAX € 25/30: € 45/80
• SANTINI " MERLETTAT I" or " LACE " otherwise known as: steel engraving with IN BLACK AND WHITE - MIN: € 1 / 7 MAX: € 18.10
• SANTINI-MEMORY OF FIRST COMMUNION - MIN: 25 MAX €: € 120
• SANTINI FOR PASTA D 'OSTIA or ON OSTIA - MIN: MAX € 20/25: € 40/50
• SANTINI PRAGUE: engravings and wood cuts SIMPLE - MIN: MAX € 18/25: € 40/45
• SANTINI PRAGUE: FRAMES AND ELEMENTS IN GOLD PRESS - MIN: 70 MAX €: € 150/200
• ENGRAVINGS Habsburg-MIN: MAX € 45/50: € 250/300
• SPICKEBILDER - (signed by J. Harrer AV) - MIN: € 80 MAX: 150/180
• ENGRAVING SIGNED Klauber, AV- MIN € 30 MAX: € 50
• ENGRAVINGS Habsburg "Vesta" (signed by Grueber, AV) - MIN: 150 MAX €: € 230/300
• SANTINI REMONDINIANI - MIN: MAX NC: NC
• ITALIAN ENGRAVINGS ON COPPER AND / OR STEEL SECC. XVIII-XIX - MIN: 15/18 MAX: 80/110
• SANTINI-etchings of Jacques Callot -
• ORIGINAL: MIN: MAX NC: NC
• REISSUE FROM ORIGINAL PLATE ON COPPER buckets. XVIII E-nineteenth MIN: 40 MAX €: € 80/100
• JESUS \u200b\u200b'KID IN THE BUILDING " carrycot " or Jesus' child dressed -MIN: € 120 / 150 MAX: 180/250
• woodcuts EPINAL (FRANCE) - MIN: € 18 - 20 MAX: € 40-80 <
• MINIATURE-PAPER - MIN: € 90 MAX: € 160
• miniatures on parchment - MIN: 150 MAX €: € 500
• SANTINI with relics (Clubs and small pieces of cloth " EX-INDUMENTIS ) - MIN: € 6 / 8 MAX: 30/40 €
• LUTTINI -MIN: € 6 / 10 MAX: € 100/150 (THIS LISTING AND 'ON THE CURRENT MARKET OF BELGIUM AND THE NETHERLANDS) -
• LISTING IN ITALY : NC
• Chromolithograph EUCHARISTIC HOLY LEAGUE, SANTINI " Few "SIGNED JOHN Meschini, AR, EB, ETC . : OUTSTANDING
  

Paola Galanz

Remote Started Santa Fe 2010

SS.ma Maria Bambina in Europe: an important reminder devotee of the cult, dating from the XVI century, dedicated to her in the ancient Abbey of Monte Oliveto Maggiore

Immersed nell'inimitabile and unique landscape of cypress trees of the Chianti and the rich birdlife and wildlife, which since the days of Etruscan offered inspiration to poets and painters to create works of important and beautiful paintings, a few kilometers from Siena stands, majestic and reassuring, the medieval abbey dedicated to charming Maria Santissima Bambina .
was on the March 26, 1319, about thirty miles from Siena, in a deserted area called Accona, owned by the Family Tolomei di Siena-in Diocese of Arezzo was founded the monastery of Sancta Maria de Oliveto in Acona three noble Senesi: Bernardo Tolomei (1272-1348), Patrizio Patrizi (+1347), Ambrogio Piccolomini (+ 1348) and some of their friends, who, as a sign of devotion to the Virgin Mary, and put on the monastic habit and chose white as the standard of living the Rule of St. Benedict .
The Church of 'erecting Benedictine Monastery was dedicated to Our Lady.
Devotion to the mystery of the Nativity of the Mother of God probably dates to the early 1500's.
The great altarpiece depicting Marla the Nativity is due to brush Ligozzi James, a disciple of Paolo Veronese , executed in 1598. A
oldest fresco depicting the same episode, a student of Sodom is located in the private chapel of the Abbot General. In the Chapel
left side of the Abbey Church, dedicated to the Blessed Bernardo Tolomei , houses a venerated statue of Maria Bambina . was modeled in wax by Fri vulnerability type Sister Isabella Chiara Fornari (1697-1744), Clarissa of the Monastery of Todi, and she donated to her confessor, Abbot Olivetano Don Isidoro Gazzale of Genoa (1693-1761), who in 1755 donated it to the Church of the Abbey of Monte Oliveto Maggiore.
Even the Holy Child in recent times has suffered from the exile as the monks themselves.
the suppression of the Monastery (1808) was taken over by a Sienese family, remained far from his sanctuary until July 19, 1818, when it was returned to the monastery with great joy of the monks and the faithful.
The Feast of the Nativity of Mary , owner of the Abbey Church and Patron of 'Territorial Abbey of Monte Oliveto Maggiore, is always celebrated with great solemnity on September 8 of each year.
For those among you, dear readers and fellow collectors, have the good fortune to live in my beloved land of Tuscany, but also extending the invitation to those who, perhaps for a weekend of peace and relaxation decide , while living in other beautiful regions of Italy, to elect half of a short holiday to the ancient and enchanting land of Etruria, I suggest strongly to visit the Friends Benedictine Monks of the Abbey of Monte Oliveto: http:/ / www.monteolivetomaggiore.it/
well as benefit from their wisdom and enlightening spiritual closeness and to further deepen their knowledge on the cult dedicated to Maria Bambina, I personally admire the delicate image wax lovingly preserved by the monks in their Church, you can enjoy the typical and warm hospitality of the Benedictine Monks at the Farm, situated in the picturesque medieval town of Asciano closures ( Siena), immersed in nature and in an atmosphere of peace that is unparalleled: http://www.monteolivetomaggiore.it/agrituri.html
And before you go home not forget to bring friends and family, the natural products produced with much love from the patient and tireless work of the monks: extra-virgin olive oil, farro and wine doc http://www.monteolivetomaggiore.it/azienda.html

.... well, of course, beautiful Santini-Reminder of Mary Girls ..... .

My special thanks to Father Roberto Rev.mo Donghi OSB, for the beautiful Santa Maria Santini of children and the valuable information that made possible the realization of this article.

Good Friday peace and serenity to all of you!

Paola Galanz